Current Con > Artist GoH — AB Word

 

A. B. Word

Golden Grass II


Merglrnn's Harbinger

Information below provided by Barrie Bryant, AB's husband and manager, and taken "as is" from the Merglenn Studios website...

AB works primarily in two different mediums, but similarly with both. She produces finely detailed realistic drawings and paintings in graphite pencils or soft pastels. She often combines other media, especially India ink and gold watercolor, with the pencils or pastels to create a bit of mixed media work.

People, animals and birds are the primary subjects AB depicts in her work and she considers her work “Imaginative realism.”

Since AB is particularly deft at rendering people, she produces artwork revealing expressive faces that compel me to think about humanity. I am just beginning to see the depth of AB’s art, and I have only just this moment realized that humanism is what her work is all about.

I am amazed at the detail AB is capable of rendering and I believe that the effect she achieves is heightened by the emotion she gets out of her subjects. This also works the opposite way: the emotion she gets out of her subjects calls attention to the detail.

AB works from photographic references that I help her to take, but she seldom copies them exactly. Her finished artwork is never a direct copy of photographs. What would be the point in that?

When AB and I photograph her models, I think that what I am seeing is pretty good stuff. Then we get the developed photographs back and I feel even better than before. But after AB produces an artwork from the photos I’m blown away. Forget the photography at this point. It really becomes insignificant in the presence of a finished drawing or painting. Her paintings are alive, because I can see in them the blood running beneath the skin of her subjects.

AB and I work together on almost everything. We are also seldom apart from each other.

 

See AB's work at Merglenn Studios

Photography is an integral part of our work, but photography has played an especially important role in my development as an artist. In short, my use of a camera marks the beginning of my immersion in art and self-expression. I began my fine art career as a photographer of street scenes, people, and landscapes throughout Arkansas from 1989-1994. I worked as an assistant to architectural photographer, Timothy Hursley, from 1990-1992 honing my printing skills and seeing the world of architecture first hand. I then taught photography and both black-and-white and color (Ilfochrome) printing through the Arkansas Arts Center from 1992-1994 and quit that just before AB and I moved west during October.

After we moved to Wyoming we concentrated on making AB’s artwork our primary source of income. With this decision came the realization that the west wanted to see western realism. AB did produce quite a number of works depicting Native Americans and cowboys, but found her niche with sheep, shepherds, and working dogs. Many of her Native American works actually fit into the imaginative realism style she currently employs, and the western world had a little difficulty with these.

I began working as AB’s agent by researching shows, making contacts, and gaining acceptance for her art. I also began making frames for her art by cutting board lumber and sanding for hours and hours. I hand colored mats and combined these with hand wrapped fabric mats. We used the same frame style from 1996 until October 1999 when AB decided to “drop out” of the western art market altogether and begin producing imaginative realism all the way.

A Fair Trade
Femme
She Walks Without a Sound

 

"Galaxy" - John Garner
Galaxy ©John Garner

WillyCon VIII
is due to arrive on
the WSC campus
March 31 - April 2, 2006

Artist GoHs:
John & Denise Garner

 

"Spring" - Denise Garner
Spring ©Denise Garner

 

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