
Information below provided by Barrie Bryant, AB's husband
and manager, and taken "as is" from the Merglenn
Studios website...
AB works primarily in two different mediums, but similarly
with both. She produces finely detailed realistic drawings
and paintings in graphite pencils or soft pastels. She often
combines other media, especially India ink and gold watercolor,
with the pencils or pastels to create a bit of mixed media
work.
People, animals and birds are the primary subjects AB depicts
in her work and she considers her work Imaginative
realism.
Since AB is particularly deft at rendering people, she
produces artwork revealing expressive faces that compel
me to think about humanity. I am just beginning to see the
depth of ABs art, and I have only just this moment
realized that humanism is what her work is all about.
I am amazed at the detail AB is capable of rendering and
I believe that the effect she achieves is heightened by
the emotion she gets out of her subjects. This also works
the opposite way: the emotion she gets out of her subjects
calls attention to the detail.
AB works from photographic references that I help her to
take, but she seldom copies them exactly. Her finished artwork
is never a direct copy of photographs. What would be the
point in that?
When AB and I photograph her models, I think that what
I am seeing is pretty good stuff. Then we get the developed
photographs back and I feel even better than before. But
after AB produces an artwork from the photos Im blown
away. Forget the photography at this point. It really becomes
insignificant in the presence of a finished drawing or painting.
Her paintings are alive, because I can see in them the blood
running beneath the skin of her subjects.
AB and I work together on almost everything. We are also
seldom apart from each other.